Sophie attempts to dissuade Norman's affections in Butler Little Theatre's production of Star Spangled Girl. From left are Alec Lamascola, Molly Miller and Sam Thinnes. Michael Dittman/Submitted Photo

The concept that love blossoms in the most unexpected places is an old one — even Shakespeare leaned on it in his comedies.

Butler Little Theatre’s current production of “Star Spangled Girl,” directed by Laura Crago, takes the idea that opposites attract and turns it into an entertaining glimpse into a bygone era, featuring a delightful cast that successfully elevates a Neil Simon script that’s a little worn around the edges.

The play centers around a quirky love triangle. Normal Cornell (Alec Lamascola) and his friend Andy Hobart (Sam Thinnes) run a struggling leftist magazine in San Francisco during the height of the radical 1960s. Their lives take a comedic turn when the spirited, idealistic and politically conservative Sophie Rauschmeyer (Molly Miller) moves in next door, igniting romantic tension among the three and stretching the bond of the men’s friendship.

As the characters navigate misunderstandings and the quirks of relationships, the dialogue sparkles with wit, though some references — such as “Look” magazine and Howard Johnson’s restaurants — might leave younger audiences scratching their heads.

The two-hour run time, complete with a 15-minute intermission, flows smoothly, thanks in large part to the actors' physical comedy.

Lamascola and Thinnes shine as the bumbling duo, delivering a series of hilarious pratfalls and timing that pays homage to classic screwball comedies like “It Happened One Night.” The duo’s chemistry is palpable, and the actors balance each other perfectly, with Thinnes bringing a charming, frat-boyish enthusiasm to his role while Lamascola’s background in dance shows as he brings a loose-limbed physicality to his nebbish character.

Miller stands out as Sophie, imbuing her character with a blend of innocence and determination. Her performance lights up the stage during scenes where she grapples with the other characters’ behavior, proving that she can hold her own in this male-dominated world. Miller’s expressive reactions and spot-on Georgia accent add an extra layer of humor, making her the heart of the production.

The set design captures the feel of the 1960s, with its vintage decor and whimsical touches that evoke a simpler time. The rotary dial telephone (which serves as a character itself with the Hobart character constantly using it to avoid creditors and to set up dates with the rich widow he’s dating) and retro furnishings not only enhance the visual appeal but also serve as a reminder of a world that seems quaint today.

The set and props are a clever nod to the past that complements the play’s themes, inviting audiences to reflect on how far we’ve come — while also highlighting what has been. The cast's talent and Crago’s direction create a charming atmosphere that leaves audiences smiling in this engaging evening of theater. For those seeking a nostalgic trip back in time with plenty of laughs, BLT’s “Star Spangled Girl” is not to be missed.