The twisted filmography of Yorgos Lanthimos has by now trained us to expect darkly comic visions of contemporary life, both savage and mundane. His movies have perhaps in...
Guillermo del Toro has been telling monster stories for as long as he’s been making films. A romantic with keen appreciation for the macabre, his creations are things...
In Kathryn Bigelow’s “A House of Dynamite,” when a mysterious missile launches from the Pacific and begins bearing down on the Midwest, the biggest threat initially at th...
In his 500-page memoir, “Born to Run,” Bruce Springsteen spends less than three pages on the making of his 1982 album “Nebraska.” Moving on, folks, nothing to see here, h...
Down on his luck divorced dad who resorts to crime is becoming familiar territory for Channing Tatum as an actor. In “Logan Lucky” his mark was the Charlotte Motor Speedw...
Aziz Ansari tries to meld social commentary and comedy in his new film “Good Fortune,” about wealth disparity and the shackles of the gig economy. It’s populist terri...
“Tron: Ares” may have the tagline “No Going Back” but Disney doesn’t like to leave money on the table. So here we are, going back with a third entry in a cult franchi...
Benny Safdie’s “The Smashing Machine” isn’t what you think it is, especially if you think it’s a movie about a British guy who thinks his typewriter is the tops.
“The Sm...
It is often said of our greatest actors that they could compellingly recite the phone book.
There's no doubt, just to continue that thought for a moment, that Daniel Day-...
In Paul Thomas Anderson’s gloriously messy, madcap roller coaster ride through modern America, objects in the rear view may go out of sight, but they don’t disappear.
Po...