Boots Riley holds nothing back in his audacious, surrealist social satire “I Love Boosters.” The film is a go-for-broke expression of wild imagination and social cons...
It’s been nearly seven years since there was a new “Star Wars” movie released in theaters and there are lots of ways to do it. “Star Wars: The Mandalorian and Grogu,” a d...
As young men flinched and gasped around me at the Los Angeles premiere of “Obsession,” I almost had to laugh. A slight head tilt, creepy smile or strange movement from st...
It was only a matter of time before “that octopus book” became “that octopus movie” (or, at least, “that other octopus movie”). Shelby Van Pelt’s “Remarkably Bright Creat...
Maybe out of fear of putting filmgoers to sleep, the sheep has not been much of a mainstay at the movies.
There’s Charles Burnett’s lyrical classic “Killer of Sheep.” You...
Billie Eilish is levitating. Or so it seems. When the pop star first emerges on screen in the mouthful “Billie Eilish — Hit Me Hard and Soft: The Tour (Live in 3D),” ...
There are some early cues that the new animated “Animal Farm” is not your grandmother’s “Animal Farm.” Like when one critter asks, “What's up?” and another says, “Totally...
Fashion trends are notoriously fickle but some things, like Meryl Streep and Stanley Tucci, never go out of style.
So you can see why making “The Devil Wears Prada 2,” t...
Perhaps the saddest thing about “I Swear,” the moving if also occasionally cloying film about Tourette’s activist John Davidson, is that a movie aimed at forging understa...
“Michael” slides a sequin glove over the pop star’s tarnished legacy, shrouding Michael Jackson’s complications with a conventional biopic that, if you cover your ear...
